New Delhi: Director Kannan Iyer's 'Ek Thi Daayan' has once
again brought back the word 'daayan' into focus. Witchcraft might have
become an obsolete word in the urban dictionary but the rural landscapes
are going to take many more years to get rid of this term and its
implications.
Occasionally, we do see and read about females killed in the name
of being evil witches, so when a mainstream Bollywood production house
decides to make a film based on the cult of 'daayan/chudail' (witch)
then the audience gets confused about the makers' stance on cultural
myths.
It's natural and obvious that the producers of the film will be
concerned about the commercial success along with the critical success.
This situation is expected to create a situation where the story writers
would face a dilemma about the image of the 'daayan'. You may find some
spoilers about the film from here on, so we suggest you to watch the
film first and then return to this article.
Since the beginning of Hindi talkies, we have been seeing characters
calling more vulnerable female characters as 'chudail'. The contemporary
society provided the cultural base to the word 'chudail/daayan' by
adding more fictional attributes to these imaginary creatures.
Soon, filmmakers realised the importance of glamour and this
prompted them to weave the net around 'Pyaasi Chudail' or 'Kunwari
Chudail'. The pioneers of horror genre in India wanted the viewers to
believe about the unnatural sexual prowess of these witches. Anecdotes
featuring extraordinarily beautiful witches alluring kings and landlords
gained prominence as they were thought to be more volatile against such
magnetism. The fictional account of some of the prominent land owning
families fanned the imagination more and witches became a more powerful
and evil form of women who were infamous for breaking homes.
This concept changed slightly during the 1990s when greed for
money replaced the love for lust. Witches were transformed into
psychologically disturbed women by now but the essence of their
existence remained the same, they were still the personification of wild
and untamed charmers.
'Ek Thi Daayan' is different form the previous witch films in its
tone despite using popular fables. The mystique around the 'daayan' in
this film is the amalgamation of popular ideas and their derivatives
which results into a story that a majority of spectators want to see
without being challenged about their beliefs.
Vishal Bhardwaj and Mukul Sharma's story is going to take forward
the legacy of their predecessors but in a more dignified way. However,
the audience will soon decide whether 'Ek Thi Daayan' gives a new
dimension to the popular interpretation of the term 'daayan' or not.
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